charlotte mcgowan-griffin
              cv
 
Charlotte McGowan-Griffin
 
Born          13/07/75 London
Graduated    BA(hons) Fine Art, Goldsmith’s College London ’97
Lives/Works     Berlin
 
 
 
 
Solo Exhibitions
 
2008     Schattenschnitt, Galerie P13, Heidelberg (upcoming)
     Illuminated Forest (outdoor installation, Kamiyama, Japan) (upcoming)  
2007     Dead Birds, Galerie heidelbergerleben, Heidelberg (interdisciplinary collaboration)
2004     Paper Heart Bemis Center for Contemporary Art, Omaha (supported by British Council)
2002      The Moon Rose Twice That Night, Galerie Thomas Hühsam, Offenbach/Main
2001      Paper Cuts, Fahrradhalle, Offenbach am Main (supported by British Council)
1999      Project 11, Sydney
 
 
Group Exhibitions / selection
 
2007     Drunk on Dreams, frühsorge contemporary drawings, Berlin
 The Ecstatic Truth, super bien! Gewächshaus für zeitgenössiche Kunst, Berlin
2006     Convocatoria, Galeria Luis Adelantado, Valencia
2005     Paper Beats Rock, Cherry and Martin, Los Angeles
2004     Kamiyama A-I-R, Kamiyama, Japan
 ArtFrankfurt, (with Netzwerk Offenbach) Frankfurt
 Parakeet Salon, 1035 Washington Avenue, New York
2003      The Lost Collection of an Invisible Man, Laing Art Gallery, Newcastle
      The Art of Painting, Nacht der Museen, Fahrradhalle, Offenbach/Frankfurt
      ArtFrankfurt, (with Netzwerk Offenbach), Frankfurt
2002      Art Futures, London
 Knot Project_1, 99 Friary Road, London
 Esplanaden Charlottenborg Udstillingsbygning, Copenhagen
      Perspective, Ormeau Baths Gallery, Belfast    
2001      Esplanaden, Kunsthallen, Copenhagen
 Freie Wahlen (with Goshka Macuga), Kunsthalle Baden Baden
 Tales Of Folly, 50 Quaker Street, London
      Woof Woof (with Goshka Macuga), Austrian Cultural Institute, London, & Temple Bar, Dublin
2000      Heart and Soul, Sandroni Rey, Los Angeles
1997      Goldsmith’s College Fine Art Degree Show
      Il Luogo Desolato, One in the Other, London
1995      Plaza Suite, One in the Other, London
 
 
Residencies & Awards
 
2007     Rhein-Neckar-Kreis Stipendium, Kommandantenhaus Dilsberg, Germany Sep-Nov
2007     Gen Foundation – award for realisation of “Illuminated Forest” in Japan 2008
2006     Sasakawa Foundation – award for realisation of “Illuminated Forest” in Japan 2008
2004     Kamiyama A-I-R, Japan, artist in residence Sep-Nov.
2003      Bemis Center for Contemporary Art, Omaha, USA, artist in residence Aug-Dec,
 Sacatar Foundation, Bahia, Brazil, artist in residence May-July
      Sanskriti Foundation, Delhi, India (UNESCO-Aschberg award), artist in residence Jan-Mar
2002      Künstlerhaus Büchsenhausen, Innsbruck, Austria, artist in residence Aug-Sep
1998      Sydney College of the Arts, Sydney, Australia, artist in residence Sep-Dec
 
 
Collections / selection
 
Landratsamt of the Rhein-Neckar-Kreis, Heidelberg, Germany (“Ja”)
Jerry Banks, Omaha, NE, USA (“The Four Eye-Laments: Earth”)
Wanda Ewing, Omaha, NE, USA (“The Four Eye-Laments: Fire”)
Kamiyama Onsen Hotel, Kamiyama, Japan (“You Can’t Take It With You”)
Sanskriti Foundation, Delhi, India (2 from “Siamese Twins” series)
Hesse Ministry of Finance, Frankfurt, Germany (4 from “Siamese Twins” series)
 
 
Featured in Print  &  Reviews
 
Album artwork for cover of Like Papillon, music CD by Peter Liljeqvist published Feb 2008
Drunk on Dreams (catalogue), published by Fukt Magazine to accompany show at FCD, 2007
The New Arts & Crafts (essay), Danielle Proud, Crafts Council ‘Collect’ catalogue, Feb 2007
Out of the Shadows (feature), Lupe Nunez-Fernandez, Art Review, Mar 2006
Op-Art (illustrated column), The Guardian, 6 May 2006
H.P. Lovecraft at super bien! (review), Lupe Nunez-Fernandez, Saatchi online March 2007
The Ecstatic Truth at super bien! (review), David Selden, Whitehot Magazine issue 3, May 2007
Paper Beats Rock at cherrydelosreyes (review), Christina Valentine, Artweek, September 2005
Paper Beats Rock’ at cherrydelosreyes (review), Leslie Jones, Art on Paper Sep/Oct 2005
Manische Liebe zum Detail (review), Offenbach Post, 27 October 2001
Sarkastische Spiele (review), Frankfurter Allgemeine Zeitung, 27 October 2001